Available in standard PDF,
Kindle and iPad formats.
Writing Academy price: $247
Today only special price: $11
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the Paypal option)
OR
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The Easy Way
to Write: Successful Drama and Comedy for TV
Networks!
First off, let's see
if you have what's
needed to write for TV:
Do you have...
A fertile imagination
A need to communicate in
writing to the masses
The ability to tell a
compelling story (I can teach you that!)
Information on how to pitch to
Networks & TV Producers (I got that
covered for you too!)
Expert knowledge about the
'rules' of TV writing...
Now this is
where I come in to my own.
In case you
don't know me, I'm Rob Parnell, considered by
many online sources (including Google
and Wikipedia) and even some
Hollywood personalities to be the first and
last authority on writing, self motivation
and personal creativity.
My partner
and I have created over 110 published books,
courses, ebooks and information resources,
many of which have been translated into
foreign languages. We are often described by
our friends, family and students as
'over-achievers'!
For the last
decade, Robyn and I have been increasingly
drawn to the visual media. As writers, we've
worked with Hollywood producers, been
intimately involved with some very exciting
film and TV projects and, best of all, we've
been paid a small fortune by
production companies and media funding bodies
to learn and hone our screenwriting
abilities.
So much so
that we've recently formed our own production
company, RnR Books Film Music,
just to deal with the legals and logistics
that tend to surround working within the
visual media.
I Can Teach
You
How to Write for TV
The
television industry has its own rules - rules
that are not generally broadcast (no pun
intended) to the general public. In order to
compete as a TV writer, you need someone on
the inside to help you.
I have so
much information to share with you about
writing for TV, I want to invite you on a
journey into the world of television.
Module One:
Introduction to Writing for TV
A thorough analysis of the
genre, how it works, how we got to where we
are now and where we are heading in TVLand.
Insights into successful writers, execs and
producers in the TV world, past, present and
future. How TV has changed in the last few
years - and why the industry now welcomes new
writers, ideas people and independent
producers, directors and even web-based media
individuals (like you!) Also, crucial clues
as to how to quickly familiarize yourself
with TV trends, including up to the minute
insider tips on how to seem like a TV expert
(without doing much work!)
Module Two: Your Ideas
& How to Present Them
Curiously, one of the last
questions you'll be asked in TV is whether
you can actually write. You can go a long way
with a good TV drama or comedy pitch without
writing anything but a proposal. In this
module I teach you the exact format you need
to present your ideas. I'll also show you how
to go about contacting people within the TV
industry. It doesn't matter if you're shy or
nervous - there are effective ways around
these things. This module includes case
studies and examples. I'll also teach you
exactly how to brainstorm ideas like a
professional so that you never have to want
for inspiration again!
Module Three: What's
Different About TV Writing?
As any writer knows,
good stories come out of great characters in
interesting scenarios. Once you've had a good
idea, how do you develop that for TV? What
are the rules that are specific to the
audiovisual media? I'll teach you the subtle
differences and we'll go over some of more
familiar aspects of story telling that still
apply to writing for the small screen -
things like character development, story arc,
long term serial considerations and other TV
genre specific musts. Here we'll also
investigate 'pushing the envelope' with
regards to time-slot, moral correctness,
network politics and social responsibility.
Module Four:
Scripting, Editing and The Story Bible
A TV
script is formatted differently from a movie
script - and ne'er the twain shall meet!
There are rules on timing and pacing (read:
ad breaks) that you absolutely must
understand and incorporate into your
screenplays when writing for TV. I'll explain
how professional script editors work too -
and why you'll never get all of your words
onscreen. Plus, we investigate the 'Story
Bible'. How to write and create the basis of
your TV series, so that you don't have to
write every script - if you were ever allowed
to do such a thing anyway! Module includes
actual TV templates you can adapt for your
own use.
Module Five: A Special
Masterclass on Comedy Writing
Often considered the
most difficult, demanding, yet rewarding of
all the TV genres. In fact, to those in the
know, comedy writing has long been
essentially formulaic and really not
that difficult to understand and/or emulate.
In this very special, first for the Net,
Masterclass, I will teach you everything you
need to know about comedy writing, from how
to write funny sketches to a long running
comedy series. By the end of this module,
you'll know how those writers achieve
seemingly effortless comedy following just a
few simple rules.
Module Six: The Money
& How You Get PAID
As the famous TV
series tells us, despite all the creativity
in the world, it's the Dirty Sexy
Money we're ultimately after. In
this module I explain how writers get paid
for TV work - which is suprisingly often,
even when your work doesn't appear on TV -
and how much you can expect to make. I
explain how TV gets funded, where the money
comes from, who and why gets paid when, and
how to negotiate deals where you get paid lots
of money BEFORE everyone else and AFTER,
again and again. This module also includes
market listings and tips on how to start and
maintain a lucrative TV writing career.
Interested? Sure you are!
Go for it!
This
resource has never been priced this low
before: only $11 for one time only.
(Please choose
the Paypal option)
OR
Purchase easily through
Clickbank HERE
Full course now available for
immediate download in all standard PDF,
Kindle and iPad formats.